The Cream Dilution Gene (updated)

Two Palomino Stallions spar at Sand Wash Basin
©Equus ferus -Wild Horse Photography

The Cream Gene is a modifier, or a gene that acts on one of three base colours in horses.  The three base colour are chestnut, bay, and black. Some people classify brown as separate colour but for the purposes of this discussion, we will group brown with black since the inheritance is the same.

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A band with Palominos and buckskin race across Sand Wash Basin

The Cream Dilution can either be expressed as a single dilution, or a double dilution. Every chromosome has two alleles that represent the way in which each chromosome is inherited and you receive one allele from each parent. Simply put, the chromosomes (usually represented by letters) appear in pairs. To review high school biology, these pairs are generally dominant or recessive. Dominant genes are represented by two capital letters or one capital and one lower-case. The animal appears the same (phenotype) whether they are EE or Ee. The recessive form is represented by two lower-case letters ee.

The cream gene in the single form acts upon chestnut, bay and black by diluting the red colour to cream. The Cream Colour may be light enough to appear almost white to a dark chocolate tan colour. The black is generally unaffected so bay horses horses retain the black points, and mane/tail. Black horses appear somewhat diluted- a mousey chocolate. Horses with a single Cream dilution generally have dark eyes (unless blue from paint patterns) and black skin except where there are white markings (paint markings, facial markings, and leg markings).

Corona’s Band
There are six cream horses
Sand Wash Basin, Colorado
©Equus ferus -Wild Horse Photography


The double dilution, or two Cream Genes acts upon both the red and black colours. The red become light cream/off white, and the black lightens to cream. In a bay horse with two cream genes, the body colour is light cream and the points appear as a darker shade of cream. Smokey Black Creams have a slightly over all darker shade but without genetic testing, it is impossible to determine what the base colour is in these horses. All double dilute Cream horses all have pink skin and blue or light green/hazel eyes.

The double dilute horses (Cremello, Perlino & Smokey Cream) are difficult to distinguish by appearance or phenotype alone. It is possible the double dilutes are all cremellos, or perlinos- or they are dirty. Google Perlino, Cremello, or Smokey Cream to see how they truly look- they are stunning colours.

The “Sooty” modifier is a additional genetic trait in which the horse’s coat looks like someone airbrushed darker colouration over the coat. In some extreme cases, the sooty modifier can turn a palomino so dark it appears ‘chocolate’ coloured- as in the case of Cloud’s son Bolder (photos below). Sooty can occur in any color and is believed to help break-up the outline/contour of a horse (countershading) and making it harder for predators to estimate the distances of the their prey.

Echo (Palomino) and his sire Bolder (Sooty Palomino) spar
Pryor Mountain, Montana
©Equus ferus -Wild Horse Photography

Cream dilutions can also appear with other dilutes such as Dun. The resulting horses are called Dunalinos (dun + palomino) and Dunskins (dun + buckskin). It can be a challenge to tell pale palominos from cremellos/perlinos horses, but look at the muzzle and other mucous membranes (grey in Palomino, pink in creams). Watch for facial markings which also appear pale-pink even on palominos. The eyes are usually dark in Palominos, and pale green or blue in Creams.

BASEONE CREAM GENETWO CREAM GENES
BAYBUCKSKINPERLINO
CHESTNUTPALOMINOCREMELLO
BLACKSMOKEY BLACKSMOKEY CREAM
Bay- Base Coat

Buckskin (varying shades) BAY + ONE CREAM GENE= BUCKSKIN

Perlino BAY + TWO CREAM GENES= PERLINO

Chestnut (BASE)
Palomino
CHESTNUT + ONE CREAM GENE= PALOMINO
Cremello
Palomino
CHESTNUT + TWO CREAM GENE= CREMELLO

Black (BASE)
Smokey Black Dun (Buckskin behind)
BLACK + ONE CREAM GENE= SMOKEY BLACK
Smokey Cream
BLACK + TWO CREAM GENE= SMOKEY CREAM

Chestnuts

Chestnut with sooty- appears most prominently in the mane and tail, base colour is chestnut.     Cimarron Sand Wash Basin ©Meredith Hudes-Lowder Equus ferus -Wild Horse Photography    

 

Corona- Palomino + Dun= Dunalino
Note the primitive markings (black arrows) and typical palomino colouration
Sand Wash Basin, Colorado
©Equus ferus -Wild Horse Photography

Palomino- mid colour
Bobby
Sand Wash Basin
©Meredith Hudes-Lowder
Bobby (2)
Sand Wash Basin
©Equus ferus -Wild Horse Photography

Palomino- Light
McCullough Peaks
©Equus ferus -Wild Horse Photography

  Buckskin Stallion with two light palominos in his band Buggs Band Sand Wash Basin
Buggs is a buckskin, and note the dark eyes on the paler palominos
©Karen McLain Studio
Cloud- a well-know Palomino (in memoriam)
His son is Bolder (sooty palomino below)
His grandson Echo (pale palomino below)
Pryor Mountain
©Equus ferus -Wild Horse Photography

Palomino with Sooty Bolder Well known for changing colour as he aged, Bolder has the Sooty gene expressed almost to the maximum. Born lighter, each year he grew darker and darker.  Some liver chestnut horses that have a cream gene are called “chocolate palominos” and may be hard to distinguish from Sooty palominos but the chocolate palominos tend to be browner and the colour is more uniform and not scattered as we see here on Bolder.   Pryor Mountain ©Karen McLain Studio Equus ferus -Wild Horse Photography    

Palomino with sooty- Bolder and his son Echo, a light palomino Pryor Mountain
©Karen McLain Studio

(Left) Light Palomino Echo, (Right) Sooty Palomino Bolder
Sire -right, Colt – left
Pryor Mountain
©Karen McLain Studio
(Rear) Palomino with sooty restricted to the forelegs, face, and chest.
(Front) Tripod, a cremello- note the pink skin around his muzzle.  
Sand Wash Basin
©Karen McLain Studio Equus ferus -Wild Horse Photography    
Pale Palomino Foal “Isabella”
Sand Wash Basin
©Equus ferus -Wild Horse Photography
The pale cream color was so highly prized by Queen Isabelle de-Bourbon that they became known as Isabella Palominos. Only royalty were allowed to own this beautiful golden colour.
Elisabeth of France or Isabella of Bourbon (22 November 1602 – 6 October 1644) was Queen Consort of Spain (1621 to 1644) and Portugal (1621 to 1640) as the first spouse of King Philip IV of Spain. Queen Isabella gifted some gold horses to Juan de Palomino which is where this color gets its name. Note the grey muzzle and dark eyes indicating this ia a pale palomino.
(https://baroquehorse.com.au/history-of-the-isabella-horse/)
Meteor – Palomino Tovero Sand Was Basin

BAYS

Sooty Bay  
McCullough Peaks
©Equus ferus -Wild Horse Photography  

                 

YELLOW ARROWS= Bay with Sooty PINK ARROW= Bay GREEN ARROW= Primitive Bay or Bay with Pangaré or a lightening over the soft area- muzzle, flanks, eyes, stifle) .A wild Bay is a bay with paler colour and the black points of the legs do not extend above the knees/hocks- often paler in comparison.   McCullough Peaks ©Karen McLain Studio Equus ferus -Wild Horse Photography      

YELLOW ARROWS= Bay with Sooty   PINK ARROWS= Bay McCullough Peaks ©Karen McLain StudioEquus ferus -Wild Horse Photography TM

Buckskin Stallion Sand Wash Basin
Buggs
©Karen McLain Studio
Buckskin Tobiano Yearling
In spite of a blue eye- her black mane, partial black tail and dark muzzle indicate she is a buckskin.
Great Desert Basin
©Equus ferus -Wild Horse Photography
A Dunskin, or Dun + Buckskin
Note the primitive markings (wither marks, zebra stripes on his legs)
Great Desert Basin, Utah
©Equus ferus -Wild Horse Photography

Buckskin Mare with her Cremello colt    
McCullough Peaks
©Equus ferus -Wild Horse Photography TM

Buckskin Mare- slight Sooty    
McCullough Peaks
©Equus ferus -Wild Horse Photography TM

Sooty Buckskin
McCullough Peaks
©Equus ferus -Wild Horse Photography

Always identify the cream variant before the mud bath
Echo (Cloud’s Grandson)
Pryor Mountain, Montana
©Equus ferus -Wild Horse Photography

 

Genotype at the agouti locusChestnut horsesPalomino horses
A+_Light chestnutCream palomino
AA_Red chestnut, with AAAA being the reddestGolden palomino
At_Standard chestnutSeasonal palomino
Aa AaLiver chestnutChocolate palomino

 Bibliography
Gower, J. (1999). Horse color explained: A breeder’s perspective. North Pomfret, VT: Trafalgar Square.    

Kathman, L. (2014). The equine tapestry: An introduction to horse colors and patterns. Charlotte, NC.: Blackberry Lane Press.  

Sponenberg, D. P. (1996). Equine color genetics. Ames: Iowa State University Press.

Presented by Dr Meredith Hudes-Lowder

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